Adobe premiere audio overload5/15/2023 You'll notice that on this image, I put some white bars on the side. It also presents some issues that we're gonna talk about, if you have that mindset of photography and you are starting to work with video. And if you do a time lapse, and this is where it gets really cool, you have motion, you have this giant resolution video now, and you can do pans across your time lapse, without having to have any fancy tools or anything because you've already shot it at full resolution. ![]() You can do beautiful moves on images, because you have so much resolution to work with. ![]() Now I'd bring this point into play for a couple of reasons. I should be doing perhaps a time lapse with this. This is a screen grab from a photograph I took at Niagara Falls. So this is what you see in your 1920 x 1080. So should be playing, yeah it is playing. So here's a little example of this image if it were video, if it actually was placed into a hi-def photograph. ![]() Way, way bigger than television and that's considered hi-def. Think about this that 20 megapixel image that's the average or the 18 megapixel image is 5000 by 4000 pixels. There's some jargon that we are already learning. 1920 x 1080 you'll hear it refer to as 1080p. It is the highest of currently broadcast hi-def television is 1920 pixels wide by 1080 pixels high. How many people have hi-def televisions? Oh come on, if you don't have a hi-def television, you must have a phone, no. I have some numbers coming, some comments here.Ģ2 megapixels, okay. I'll try to remember but I will repeat if you haven't picked up the mic. Do you shoot with your phone?ĦS? 12 megapixels. Many megapixel apply many, many, 20, 20, 20 by 20. Is that about, what's the square root of 40? Math people here? 15's 225, okay this is not a test. 40 megapixels and I'm trying to do the math in my head, which is always a mistake. We're coming and shooting some stuff after this class. What's the resolution of your cameras? Just you can jump it out. Anybody, you have an iPhone? Okay exactly. Now how many people shoot photography, shoot stills? Everybody, it's not gonna polarize any. How many people here shoot still video? You don't have to hold the mic. And so I kind of made this little animation here, and I'll bring it full screen, but I want to talk about it first. ![]() I wanna talk about some of the nuances of video in relation to photography. 9 Tour The Interface: Edit Markers 08:46 10 Building a Rough Cut: Cut Planning 21:46 11 Building a Rough Cut: Selecting Media 25:01 12 Building a Rough Cut: The Edit 30:51 13 Building a Rough Cut: Edit Points 13:43 14 Refining Your Edit: Preparation 10:30 15 Refining Your Edit: Making Cuts 25:19 16 Refining Your Edit: Using Markers 16:32 17 Refining Your Edit: J and L Cuts 15:57 18 Refining Your Edit: Replace Edit 05:05 19 Working with Audio: Overview 17:43 20 Working with Audio: Levels 13:37 21 Working with Audio: Music 10:01 22 Working with Audio: Mixing And Syncing 14:51 23 Transitions: Overview 13:44 24 Transitions: Effect Controls 09:32 25 Filters & Effects: Overview 18:06 26 Filters & Effects: Using Multiple Filters 22:18 27 Motion & Animation: Motion And Animation Overview 09:41 28 Motion & Animation: Movement With Still Images 26:57 29 Motion & Animation: Picture In Picture 10:57 30 Motion & Animation: Motion Effects 17:08 31 Titling & Graphics: Overview 27:12 32 Titling & Graphics: Advanced Tools 11:03 33 Titling & Graphics: Roll And Crawl Effects 08:02 34 Titling & Graphics: Working With Photoshop 12:17 35 Speed Changes: Overview 21:12 36 Speed Changes: Stills And Variable Speeds 06:24 37 Color Correction: Overview 07:39 38 Color Correction: Lumetri Scopes 11:32 39 Color Correction: Contrast 21:37 40 Color Correction: Advanced Tools 15:13 41 Color Correction: Adjusting To A Master Clip 07:46 42 Finishing: Prepping for Output 14:54 43 Finishing: QC Edit Points 24:56 44 Sharing & Exporting: Overview 29:06 45 Sharing & Exporting: Size And Quality 24:47 46 Ingesting Media: 28:40 47 Ingesting Media: Transferring And Importing 31:16 48 Media Management & Archiving 26:10 49 Multi-Camera Editing: Overview 14:26 50 Multi-Camera Editing: Creating A Sequence 20:05 51 Multi-Camera Editing: Switching Multiple Cameras 15:31 52 Multi-Camera Editing: Finalizing 12:38 53 Creating Timelapses: Shooting Strategies 18:04 54 Creating Timelapses: Editing Images 14:21 55 Creating Timelapses: Importing Strategies 18:47 56 Creating Timelapses: Animation 05:59 57 Advanced Editing Techniques: Take Command Of Your Timeline 22:36 58 Advanced Editing Techniques: Transitions 07:58 59 Advanced Editing Techniques: Keyboard Shortcuts 12:00 60 Advanced Editing Techniques: Preference Hacks 21:15 61 Thinking Like an Editor: Editing Choices 31:56 62 Thinking Like an Editor: Telling the Story 23:50 63 Special Tools: Warp Stabilizer 18:00 64 Special Tools: Morph Cut 06:56 65 Special Tools: Green Screen 20:17
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